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Catching the Moon: Thai Art Refusing to Be Overlooked

Carlos Menendez

Carlos Menendez

August 8, 2026 · 4 min read

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Catching the Moon: Thai Art Refusing to Be Overlooked
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Between the two of us, my wife is the artsy-fartsy one. So, being the loving and attentive husband that I am, I decided to take us to the Bangkok Art and Culture Centre for Valentine’s Day. We initially expected something similar to art galleries and shows we’d been to before, just with the delightful price tag of completely free. What we didn’t expect was to be so thoroughly rocked by Thailand’s offerings to the world of art and culture, especially from one artist in particular. Let me tell you about our experience, and why you absolutely shouldn’t miss it if you come to Bangkok yourself.

The BACC Entrance (Image Credits: Carlos G. Menendez)

Prepping the Canvas

Before I go any further, I want to set the stage just a little bit. The Bangkok Art and Culture Centre is located in the heart of Bangkok’s Siam district. It opened in 2008 after a long, artist-led campaign to create a dedicated space for modern Thai art and culture. The building houses nine stories of galleries, with mostly free admission and only a handful of ticketed exceptions.

The structure is big, deceptively so. From the outside walkway, I figured it was maybe five or six stories at most. Stepping inside, though, the building opens up into a bright, airy spiral with plenty of open space that makes it feel even grander. Exhibitions rotate regularly, and on the day we visited there were several special showcases, including student work hosted by Stamford International University and even a live musical performance we unfortunately just missed. Its location, connected to major transit hubs and flanked by some of Bangkok’s busiest malls, ties the presence of art directly to the lifeblood of the Siam district itself.

The Main Annex (Image Credits: Carlos G. Menendez)

The Chatchai / “Catch the Moon” Exhibit

My wife and I have a standardized approach when it comes to places like this: we start at the top and work our way down so we can leave easily when we’re finished. It took a bit of effort to reach the upper floors, navigating escalators and the building’s signature spiral walkway. At the top, we first encountered photography from Thai artists working both domestically and abroad.

What really stopped us, though, was the Catch the Moon exhibition featuring works by Chatchai Puipia. I’ll be the first to admit that I’m not especially well-versed in art history, but his work grabbed me instantly. Several pieces clearly drew inspiration from artists like Van Gogh and, at times, even Salvador Dalí. The idea of “catching the moon” appeared again and again, the act of striving for something just out of reach.

Reading the exhibit descriptions, I was struck by Chatchai’s stated goal of placing Thai art on equal footing with the European masters. There was no sense of imitation here, only challenge. His work felt defiant, self-aware, and unapologetic. Given how Thailand and much of Southeast Asia are often perceived globally, I could understand his frustration and determination, even if only in part.

Flowers and Self-Portraits (Image Credits: Carlos G. Menendez)

Why That Theme Hit 

That theme, asserting Thailand’s place as a modern, developed nation deserving of respect, appeared well beyond Chatchai’s work. In the photography exhibits, I saw images of the Thai Military Academy and its outreach programs, alongside photos highlighting diplomatic relationships with countries like China and Germany. These weren’t subtle statements.

In Chatchai’s gallery, references to Van Gogh appeared again, including floral motifs and even the artist himself. Several paintings depicted Thai men sitting stone-faced, holding their hearts, their manhood, or both in their hands. While undeniably macabre, the imagery called to mind Southeast Asia’s colonial history and the quiet dignity that persists in its aftermath.

One of the most unexpected moments came later in the exhibit: a small pickup truck converted into a mobile bar, presented as part of the installation. Seeing menus written in both Thai and Spanish made me smile, a simple but striking symbol of cultural exchange and fusion that felt deeply human amid the heavier themes.

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The Starry Night and a Dog Called Honor (Image Credits: Carlos G. Menendez)

Putting the Brushes Away

In the end, my wife and I only managed to explore the top few floors. The sheer density of art on display made it impossible to take everything in during a single visit. I’m genuinely looking forward to going back and seeing the rest.

If you get the chance to visit the Bangkok Art and Culture Centre yourself, I can’t recommend it enough. The art you encounter there doesn’t stay on the walls, it follows you home. It certainly did for me.

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Carlos Menendez

Carlos Menendez

Travel is rebellion in its purest form. We follow our heart. We free ourselves of labels. We trade a role for reality.

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